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Paul McCandless/Art Lande Duo

Paul McCandless and Art Lande will perform a very rare duo concert on Saturday, November 20 and Sunday, November 21st at THE 222.

Paul McCandless and Art Lande have been making music together for almost 50 years. They will perform in duo for this special evening, with Paul playing soprano and tenor saxophones as well as bass clarinet and Art playing piano and melodica. They have toured all over the US and most of Europe, recorded for ECM, Windham Hill and Synergy labels and have been part of many bands together. The music will highlight pieces from many parts of their musical history plus spontaneous compositions they create in the moment. Always there is depth, humor, beauty and connected energy. As one audience member said after their duo concert in Boulder, Colorado – “we can see every aspect of your friendship hearing you play together” – count on it.

During a distinguished career spanning six decades, Paul McCandless has brought a soaring lyricism to his playing and composing that have been integral to the ensemble sound of two seminal world music bands, the Paul Winter Consort and the relentlessly innovative quartet, OREGON. A gifted multi-instrumentalist and composer, McCandless has specialized in a broad palette of both single and double reed instruments that reflect his grounding in both classical and jazz disciplines.

Grammy-nominated Art Lande is considered one of the premiere improvisational jazz pianists today. He began piano at age 4, studied at Williams College & moved to San Francisco in 1969. He has mostly carved out his own singular path throughout his career, taking the innovations of Bill Evans several steps further. In 1973 he recorded with Jan Garbarek and Ted Curson and in the mid-1970's had started his own jazz school. In 1976 he formed the quartet Rubisa Patrol which recorded for ECM and lasted until 1983. After teaching for three years in Switzerland, Lande in 1987 moved to Boulder, Colorado. He appears in many of the "Who's Who in Jazz" encyclopedias for his role in the development of "Chamber Jazz

Paul McCandless Biography

www.paulmccandless.com

Born in the small town of Indiana, Pennsylvania to a musical family, McCandless inherited his artistic passion from his parents, who were both music teachers.  Like his grandfather, his father played the oboe and acquainted Paul with the world of musical instruments in his repair shop, where pieces of old horns became toys. By age nine, McCandless was playing the classical clarinet. He was introduced to jazz during junior high school and was learning saxophone at the time that he took up his primary instrument, the oboe.

As he continued his studies at Duquesne University and the Manhattan School of Music, McCandless embarked on his performing career playing with the Pittsburgh Symphony at Carnegie Hall and the United Nations when he was only 19.

At the recommendation of his oboe teacher, Robert Bloom (Toscanini’s principal oboist), he joined the Paul Winter Consort. “At that time,” Paul recalls, “improvisation and classical music were completely separate. I started to bring those things together when I joined the Winter Consort. Paul (Winter) was looking for someone who could improvise on double reeds, so that’s when I began improvising on my classical instrument.”

While recording the album, "Icarus", McCandless worked with producer George Martin, who also produced albums for "The Beatles". Martin played the oboe himself as a young man and later wrote in his book ("All You Need is Ears") that Icarus was his favorite recording project of his entire career. McCandless said of this, "I still glow with pride at that quote, because he was a real visionary and helped bring a lot of creative music into the world." McCandless played with the Paul Winter Consort until 1973, recording five albums and appearing at the Fillmore East and the Fillmore West, the Tanglewood and Schaeffer Festivals, and numerous colleges throughout the U.S.

While he was a member of the Consort, McCandless formed an alliance with guitarist/pianist Ralph Towner, bassist Glen Moore, and percussionist Collin Walcott to form the group Oregon.

While Oregon recorded with Vanguard and Elektra/Asylum, they were able to use ample studio time to explore and expand their repertoire. At the beginning of the digital era, they worked with engineer David Greene to create unique sounds on "Out of the Woods", "Roots in the Sky", and "In Performance".

For five decades, the group has continued: transcending all established genres; surviving the tragic death of Collin Walcott; recording 23 albums on Vanguard, Elektra/Asylum, ECM, Epic, Chesky, and Intuition Records; performing in major clubs and concert halls, including Carnegie Hall three times, Lincoln Center, the Berlin Philharmonic Hall, and Vienna’s Mozartsaal; touring the U.S., Canada, Mexico, South America, Eastern and Western Europe, North Africa, the Indian subcontinent, and Australia; and appearing at international festivals in Berlin, Pori, Molde, Newport, Telluride, Arcosanti, Bombay, and Delhi.

As a member of Oregon, Paul has been a featured soloist and composer with the Stavanger Orchestra, and in conjunction with Dennis Russell Davies performed with the Philadelphia Orchestra, the St. Paul Chamber Orchestra, the Stuttgart Opera Orchestra, and the Freiburg Orchestra.

In 1999, Paul recorded three of his orchestral scores written for Oregon and the Moscow Tchaikovsky Orchestra, on a CD called "Oregon in Moscow".

In his odyssey through the woodwind family, McCandless gradually expanded his array of instruments, adding the bass clarinet, soprano and sopranino saxophones, penny whistles, various ethnic flutes, and the electronic wind controller to his primary instruments, the oboe and English horn.

He has widely extended his reach outside of Oregon as a collaborator and solo artist and is credited with more than 150 albums and performances with such musicians as Jaco Pastorius (Invitation on Warner Brothers), Carla Bley (Night-Glo on Watt-Works), Art Lande/Dave Samuels (Skylight on ECM), Eberhard Weber (Later That Evening on ECM), as well as with Wynton Marsalis, Pat Metheny, Mark Isham, Steve Reich, Al Jarreau, Bruce Hornsby, Victor Wooten, Fred Simon, Michael Manring, Darol Anger, Mike Marshall, and the String Cheese Incident.

He inaugurated his recording career as a leader with "All the Mornings Bring" on Elektra/Asylum, which was followed by "Navigator" on Landslide. The desire to work with larger compositional forms led to his 1988 release "Heresay" on Windham Hill, featuring pianist Art Lande and Pat Metheny Group bassist Steve Rodby, followed by "Premonition" in 1992 with renowned players: Metheny Group pianist Lyle Mays, Steve Rodby as producer and player, Yellowjackets drummer William Kennedy, and Oregon drummer Mark Walker. He toured with his own quintet featuring Mays and Rodby in the U.S. and Canada and headlined at the Montreal Jazz Festival. Of “Premonition”, he has said, “I have never worked so hard on a project in all of my life. The challenge for me was to come up with music that was in one way simple and accessible but at the same time expressed my love for complexity.”

He recorded three albums and toured with Béla Fleck, with whom he won a Grammy in 1996 for Best Pop Instrumental.

While an artist on Windham Hill, McCandless contributed to numerous anthologies including Bach Variations, The Impressionists, The Romantics, and Solstices II-VI, two of which were gold records. He also composed and recorded Squanto and the First Thanksgiving for Rabbit Ears Productions which was aired on Mel Gibson’s children’s program on National Public Radio. In 1997, he wrote, scored, and performed four symphonic compositions with the Camerata Orchestra in Mexico City.

In 2014, McCandless began performing with Charged Particles, a San Francisco-based jazz trio. The group premiered their collaboration on the main stage at the famed jazz club Yoshi’s San Francisco in 2014, and their jazz club appearances have included Birdland (New York City), Blues Alley (Washington, DC), the Dakota Jazz Club (Minneapolis), the Deer Head Inn (Pennsylvania), the Falcon (New York), Nighttown (Cleveland), Jazz Forum Arts (New York), Motion Blue (Jakarta, Indonesia), Jazz Centrum (Surabaya, Indonesia), @America (Jakarta, Indonesia), Yardbird Suite (Edmonton, Canada), the Vernon Jazz Club (Vernon, Canada), Spin Jazz (Oxford, United Kingdom), Birmingham Jazz Club (Birmingham, United Kingdom), Parrjazz (Liverpool, United Kingdom), Band on the Wall (Manchester, United Kingdom), Jazz Hastings (Hastings, United Kingdom), Fougou Jazz (Torquay, United Kingdom), Spike’s Place Jazz Club (Beckenham, United Kingdom), the Harborough Jazz Club (Leicestershire, United Kingdom), Chorus (Lausanne, Switzerland), Mampf (Frankfurt, Germany), Next Stop Olten (Olten, Switzerland), Lebewohlfabrik (Zurich, Switzerland), and Jazz Club Ferrara (Ferrara, Italy).

They have headlined festivals such as the Rochester International Jazz Festival (New York), the Stanford Jazz Festival (California), the San Luis Obispo Jazz Festival (California), the Eureka Springs Jazz Festival (Arkansas), Jazz at Pierson Park (New York), the Erie Blues and Jazz Festival (Pennsylvania), the Portola Vineyards Summer Jazz Concert Series (California), Jazz at the Lake (Lake George, NY), the Jazz Gunung Bromo Festival (Indonesia), the Ambleside Days Jazz Festival (United Kingdom), and the St. Ives Jazz Festival (United Kingdom).

They have performed in theaters such as the Musical Instrument Museum (Phoenix), the Chelmsford Center for the Arts (Massachusetts), the Northern Arts and Cultural Centre (Yellowknife, Canada), Franzk (Reutlingen, Germany), the Soper Reese Theater (California), and the Cloverdale Performing Arts Center (Cloverdale, California).  Upcoming performances include Jazz Festival Steyr (Steyr, Austria), Amsec (Hagenberg, Austria), Saarjazz (Saarwellingen, Germany), Glendale Community College (California), Café Sole (Boulder, Colorado), the Nisville Jazz Festival (Nis, Serbia), and Jazz Circle Viersen eV (Monchengladbach, Germany).

Art Lande Bio

www.artlande.com  

  • Pianist, drummer, composer and teacher, born Feb. 5, 1947 in New York City.
  • Bandleader since 1970 in San Francisco, Seattle, Switzerland and Colorado.Groups have included: 
  • Quintet with Steve Swallow and Eliot Zigmund (70-72), Rubisa Patrol with Mark Isham and Bill Douglass (74-81), Trio with Gary Peacock (81-82), Ionia with Paul McCandless 
  • (85), Russian Dragon Band (89--). 
  • Played with many jazz greats inluding Bobby Hutcherson, Gary Burton, Woody Shaw, Nat Adderley, Chet Baker, Charlie Haden, Eddie Harris, Joe Henderson, John Abercrombie as weIl as vocalists Ernestine Anderson, Jon Hendricks, Jimmy Witherspoon, Mark Murphy, Nancy Wilson…
  • Composer and arranger of well over 100 compositions including "Times and Places" for orchestra('86).
  • Varied jazz experience with bebop, free improvisation, standards, and salsa played in different performance formats from solo piano to small group to big band.
  • Work with dance (Tandy Beal & Co. '88--), poetry, theatre, puppet theatre, and children's stories. 
  • Performed all over the U.S., in Canada, and in most European countries., 
  • Feature performances at Jazz Festivals in San Diego, Berkeley, Bellevue(Seattle), Hamburg, Zurich, and Reims (France). 
  • Noted teacher; devised innovative courses for improvisation and ear training. 
  • Has lead improvisation workshops in many parts of the U.S., Canada and Europe. 
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